All Cosimo Tura Oil Paintings

1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.
 

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Cosimo Tura Pieta (The Dead Christ Supported by Two Angels) oil on canvas


Pieta (The Dead Christ Supported by Two Angels)
Pieta (The Dead Christ Supported by Two Angels)
Painting ID::  3207
  1475 Art History Museum, Vienna
  1475 Art History Museum, Vienna

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Cosimo Tura An Allegorical Figure oil on canvas


An Allegorical Figure
An Allegorical Figure
Painting ID::  3208
  1460 National Gallery, London
  1460 National Gallery, London

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Cosimo Tura Pieta (mk05) oil on canvas


Pieta (mk05)
Pieta (mk05)
Painting ID::  20065
  Wood 52 x 105 1/2''(132 x 268 cm)Entered the Louvre in 1863
  Wood 52 x 105 1/2''(132 x 268 cm)Entered the Louvre in 1863

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Cosimo Tura Anthony of Padua Reading (mk05) oil on canvas


Anthony of Padua Reading (mk05)
Anthony of Padua Reading (mk05)
Painting ID::  20066
  Wood 28 x 12 1/4''(71 x 31 cm)Campana Collection,Rome;entered the Louvre in 1863
  Wood 28 x 12 1/4''(71 x 31 cm)Campana Collection,Rome;entered the Louvre in 1863

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Cosimo Tura The Spring oil on canvas


The Spring
The Spring
Painting ID::  40211
  mk156 c.1455-1460 Oil with egg tempera 116.2x71.1cm National Gallery London
  mk156 c.1455-1460 Oil with egg tempera 116.2x71.1cm National Gallery London

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     Cosimo Tura
     1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.

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